FILM DHOOM 3 SUB INDO MOVIE

The concentration on reaching the club has been criticised, with actor and producer Arshad Warsi stating, 'I find this whole Rs. However, DNA reported that 'Filmmakers and distributors are known to leave no stone unturned in their attempt to cross over to the right side' of the 100 crore mark.' The Times of India cancelled its 'Box Office' column in November 2013 because 'The stakes of filmmakers have increased so much that they are willing to go any distance to manipulate and jack up their numbers to beat each other's records.' and the Times felt they were no longer able to provide accurate enough figures because 'Films that have not reached the '100 crore mark but are close will insist that they have reached the '100 crore figure as they can't resist being in the '100 crore club.'' The 100 Crore Club designation has replaced previous Bollywood indications of success which had included great music, the 'Silver Jubilee' or the 'Diamond Jubilee' (films that ran for 75 weeks in theatres). The Zee Cine Awards added a category 'The Power Club Box Office' to recognise directors whose films had reached the 100 crore mark. Komal Nahta stated that 'excluding women from the group is characteristic of an industry which exercises gender discrimination more than other industries.' By 2013, the usage had expanded to variously include the film itself, the director, and the lead female actor. Initially the term applied only to the lead male actor. The Hindustan Times claims that their magazine Brunch coined the term. The first Indian film to gross an adjusted ₹100 crore overseas was the 1951 film Awaara, directed by Raj Kapoor, written by Khwaja Ahmad Abbas, and starring Raj Kapoor and Nargis, becoming a blockbuster in the Soviet Union. When adjusted for inflation, the first Indian film to gross an adjusted ₹100 crore was the 1940 film Zindagi, directed by P.C.

FILM DHOOM 3 SUB INDO MOVIE

First Kannada movie to enter 100 Crore club was KGF directed by Prashanth Neel, released in 2018, starring Yash and Srinidhi Shetty crossing 153 crores in 11 days. In 2016, Mohanlal starring Pulimurugan became the first Malayalam film to enter the club. In May 2016, Sairat become the first Marathi film to gross over ₹100 crore (US$13 million) worldwide. The first Telugu film to enter the '100 Crore club' was 2009 film by S.S. īeyond Bollywood, the first South Indian film to gross over ₹100 crore worldwide was 2007 Rajinikanth starring Tamil film Sivaji. Overseas, the first Indian film to gross ₹100 crore in international markets was the Shah Rukh Khan-Kajol-starrer My Name is Khan (2010), followed by 3 Idiots in 2011. The 100 Crore Club emerged more than a decade later, when the Aamir Khan starrer Ghajini (2008) became the first Indian film to net over ₹100 crore domestically in India, soon after which the term '100 Crore Club' was coined. The next film to cross ₹100 crore worldwide was the Kajol- Shahrukh khan starrer Dilwale Dulhania Le Jayenge (1995). The first Indian film to gross over ₹100 crore domestically in India was the Salman Khan - Madhuri Dixit starrer Hum Aapke Hain Kaun (1994), which was also the first to reach ₹200 crore worldwide. The first Indian film to cross ₹100 crore worldwide was the 1982 Bollywood film Disco Dancer, directed by Babbar Subhash, written by Rahi Masoom Raza, and starring Mithun Chakraborty, with over ₹90 crore grossed at the Soviet box office.

Film dhoom 3 sub indo